Establishing and Functioning of a Poliphonic Center in the Area of Southern Albania and the North of Greece, No.19, pages 101-121

by Msc. Kristi BELLO
UET Press (2021)

Abstract

In times that we are living, it is becoming more careful are more interesting the preserve of making art and culture part regarding the cultural heritage. For their own social and political stages, no initiative or objective can be in school life by any means. Consequently, the designed strategy cannot approach reality spontaneously. Seen in this perspective, today it is presented as an important priority to rise at the institutional level of state, central or local policies, through which can be protected the most defining values of the heritage of the Balkan peoples. Regarding this idea, in my work I have tried to analyze in detail the phenomenon where Polyphony stands out and prevails in Albanian culture and art, as well as by harmonizing it with state policies, to build the first centers of Polyphony concentrated mainly in the South of Albania, as well as in the North of Greece, exactly where the greatest concentration of the delivery and interpretation of Polyphony is located. No goal can be achieved if we will not be able to draft strategic plans or sound studies aimed at preserving or even continuously generating the values of our society. Therefore, since art and culture in themselves do not aim to emphasize in an extreme way the differences between peoples but their approximation, the establishment of polyphonic centers between the two countries Albania and Greece, with the right tools, legislation and infrastructure, would make possible, the preservation and continuous strengthening of this heritage, without compromising in any means or way the peculiarities or even their distinctive characteristics in creativity and interpretation.