{"id":6857,"date":"2021-03-19T15:05:24","date_gmt":"2021-03-19T15:05:24","guid":{"rendered":"https:\/\/uet.edu.al\/?p=6857"},"modified":"2021-03-19T15:05:24","modified_gmt":"2021-03-19T15:05:24","slug":"potence-sjell-mimoza-ahmetin-me-nje-ekspozite-pikturash-ne-uet","status":"publish","type":"post","link":"https:\/\/uet.edu.al\/en\/potence-sjell-mimoza-ahmetin-me-nje-ekspozite-pikturash-ne-uet\/","title":{"rendered":"\u201cPotence\u201d sjell Mimoza Ahmetin me nj\u00eb ekspozit\u00eb pikturash n\u00eb UET"},"content":{"rendered":"

Nga Edi Rama te Fatos Lubonja, dimensione t\u00eb reja konceptuale, p\u00ebrcjell\u00eb p\u00ebrmes telajos s\u00eb Mimoza Ahmetit<\/em><\/p>\n

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Pushteti dhe mund\u00ebsia, dy fusha sa t\u00eb ve\u00e7uara, aq edhe t\u00eb nd\u00ebrvarura ndaj nj\u00ebra-tjetr\u00ebs. Aq sa q\u00ebndrojn\u00eb ndaras, aq edhe mund t\u00eb kuptohen mjaft mir\u00eb brenda tyre, sepse pushteti kalon p\u00ebrmes mund\u00ebsis\u00eb p\u00ebr t\u00eb arritur pik\u00ebn finale, por edhe mund\u00ebsia \u00ebsht\u00eb nj\u00eb dinamik\u00eb q\u00eb transformohet p\u00ebrmes pushtetit dhe shpesh arrin n\u00eb t\u00eb nj\u00ebjt\u00ebn pik\u00eb t\u00eb fundme.<\/p>\n

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Pik\u00ebrisht, fuqia e pushtetit dhe mund\u00ebsis\u00eb, sjell autoren dhe shkrimtaren Mimoza Ahmeti n\u00eb nj\u00eb dimension t\u00eb ri, at\u00eb t\u00eb piktores, jo aq shum\u00eb i trumbetuar n\u00eb media, por me t\u00eb nj\u00ebjt\u00ebn fuqi konceptuale dhe ekspresion, q\u00eb kan\u00eb l\u00ebn\u00eb pas edhe fjal\u00ebt, poezit\u00eb dhe vargjet e saj. N\u00ebp\u00ebrmjet nj\u00eb ekspozite t\u00eb titulluar \u201cPotence\u201d, Ahmeti solli n\u00eb ambientet e Universitetit Europian t\u00eb Tiran\u00ebs, disa nga punimet m\u00eb t\u00eb p\u00ebrzgjedhura, t\u00eb nd\u00ebrlidhura konceptualisht, p\u00ebr t\u00eb p\u00ebrcjell\u00eb m\u00eb qart\u00eb zb\u00ebrthimin psikologjik t\u00eb personazheve dhe brend\u00ebsin\u00eb mentale t\u00eb autores.<\/p>\n

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N\u00ebn kurimin e studiueses s\u00eb njohur Suzana Varvarica, u soll\u00ebn piktura me tematika t\u00eb ndryshme, ku shp\u00ebrthimi i personazheve dhe figurave publike, kalonte m\u00eb tej n\u00eb gjendje t\u00eb fuqishme psikologjike t\u00eb transmetuara p\u00ebrmes ngjyrave t\u00eb p\u00ebrzgjedhura, p\u00ebr t\u00eb p\u00ebrfunduar pastaj tek fuqia e natyr\u00ebs, p\u00ebrshkuar secila prej tyre nga i nj\u00ebjti fill, fuqia e transformimit dhe mund\u00ebsis\u00eb s\u00eb kalimit n\u00eb gjendje dhe ndjesi t\u00eb reja.<\/p>\n

Kjo ekspozit\u00eb \u00ebsht\u00eb nj\u00eb nism\u00eb e Departamentit t\u00eb Arteve t\u00eb Aplikuara n\u00eb UET, i cili synon t\u00eb krijoj\u00eb nj\u00eb \u2018buxhet\u2019 autor\u00ebsh, pikturash e veprash arti, si nj\u00eb tjet\u00ebr mund\u00ebsi p\u00ebr student\u00ebt q\u00eb t\u00eb njohin dhe familjarizohen me artin shqiptare nd\u00ebr vite. P\u00ebrgjegj\u00ebsi i k\u00ebtij Departamenti, Ermir Nika, tha se ky bashk\u00ebpunim mes UET dhe personaliteteve t\u00eb fush\u00ebs, do t\u00eb sh\u00ebrbej\u00eb si nj\u00eb pik\u00ebtakim i artit dhe artist\u00ebve t\u00eb gjeneratave t\u00eb ndryshme.<\/p>\n

\u201cDepartamenti i Arteve t\u00eb Aplikuara tashm\u00eb e ka krijuar si tradit\u00eb q\u00eb t\u00eb krijoj\u00eb bashk\u00ebpunime me emra dhe personalitete t\u00eb artit, t\u00eb medias, t\u00eb kultur\u00ebs dhe me an\u00eb t\u00eb k\u00ebtyre ne synojm\u00eb t\u00eb krijojm\u00eb edhe nj\u00eb l\u00ebnd\u00eb n\u00eb vitin tjet\u00ebr, \u2018Artet pamore\u2019. Kjo do t\u00eb jet\u00eb nj\u00eb lloj marr\u00ebdh\u00ebnie q\u00eb krijon gjenerata e re me at\u00eb t\u00eb vjetr\u00ebn, t\u00eb konsoliduar t\u00eb artist\u00ebve dhe t\u00eb piktor\u00ebve. \u00cbsht\u00eb nj\u00eb mund\u00ebsi shk\u00ebmbimesh, p\u00ebrvojash, pik\u00ebpamjesh dhe nj\u00eb pik\u00ebtakim i cili mungon n\u00eb t\u00eb gjith\u00eb atmosfer\u00ebn artistike k\u00ebtu n\u00eb Shqip\u00ebri\u201d,\u00a0<\/em>tha Nika. Duke u ndalur tek pikturat, Nika u shpreh se n\u00eb t\u00eb gjitha shp\u00ebrndahet atmosfera dhe personazhet e disa viteve, par\u00eb n\u00ebn syrin e autores, e cila na ndihmon t\u00eb deshifrojm\u00eb k\u00ebt\u00eb periudh\u00eb t\u00eb kaluar tranzicioni.<\/p>\n

Kuruesja e ekspozit\u00ebs, Suzana Varvarica, tha se p\u00ebr t\u00eb zb\u00ebrthyer at\u00eb, duhet s\u00eb pari t\u00eb njoh\u00ebsh autoren, t\u00eb njoh\u00ebsh idet\u00eb e saj dhe t\u00eb b\u00ebsh nj\u00eb bashk\u00ebbisedim intelektual. Sipas saj, ekspozita, edhe pse e thjesht\u00eb n\u00eb pamje t\u00eb par\u00eb, s\u00eb brendshmi \u00ebsht\u00eb nj\u00eb tentativ\u00eb e dijeve t\u00eb autores p\u00ebr t\u00eb paraqitur personazhet dhe ngjarjet n\u00ebp\u00ebrmjet thellimeve psikologjike n\u00eb to. Varvarica tha se autorja n\u00eb k\u00ebt\u00eb ekspozit\u00eb ka balancuar ekspresivitetin e figurave publike me imazhet e qet\u00ebsis\u00eb s\u00eb natyrave dhe t\u00eb objekteve<\/p>\n

\u201cNjohurit\u00eb e Mimoza Ahmetit shpalosen dhe udh\u00ebhiqen mes mund\u00ebsive t\u00eb krijimit t\u00eb figur\u00ebs, si kategori e inteligjenc\u00ebs artistike, dhe shprehis\u00eb s\u00eb poetik\u00ebs s\u00eb fjal\u00ebs, si kategori e inteligjenc\u00ebs s\u00eb mendimit. Midis tyre, ajo m\u00eb par\u00eb, di t\u00eb tregoj\u00eb mrekullisht, por edhe t\u00eb emocionohet figurativisht. Dhe tek e fundit ajo iu jep mund\u00ebsive shansin p\u00ebr t\u2019u b\u00ebr\u00eb bashk\u00eb, si n\u00eb rastin e aktit t\u00eb pikturimit, t\u00eb karakterit substancial t\u00eb individit publik, ku sfondet e bardha t\u00eb qarta, poetika e mendimit t\u00eb kultivuar, tretet te poetika e ngjyrave.<\/em><\/p>\n

N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb un\u00eb e shoh deri m\u00eb sot Mimoz\u00ebn, por natyrisht ato jan\u00eb shum\u00eb pak mbi personalitetin e saj figurativ t\u00eb lidhur me artet pamire, sepse q\u00eb t\u00eb konceptosh m\u00eb gjer\u00eb duhet t\u00eb q\u00ebndrosh me dit\u00eb t\u00eb t\u00ebra n\u00eb studion e saj, madje t\u00eb informohesh mjaft mir\u00eb edhe p\u00ebr punimet q\u00eb nuk gjenden n\u00eb studio dhe q\u00eb jan\u00eb n\u00eb koleksione t\u00eb ndryshme<\/em>\u201d, tha Varavica.<\/p>\n

Autorja falenderoi pjes\u00ebmarr\u00ebsit, q\u00eb edhe pse n\u00eb koh\u00eb pandemie, rriskuan p\u00ebr t\u00eb qen\u00eb t\u00eb pranish\u00ebm n\u00eb k\u00ebt\u00eb ekspozit\u00eb. Ahmeti shp\u00ebrfaqi konceptin e saj, duke prezantuar disa prej pikturave dhe duke i zb\u00ebrthyer n\u00eb dometh\u00ebnien e tyre.<\/p>\n

\u201c\u2019Banja lu\u00e7inante\u2019, nj\u00eb nga pun\u00ebt q\u00eb \u00ebsht\u00eb prezantuar k\u00ebtu, \u00ebsht\u00eb gjendja dramatike, shpirt\u00ebrore e nj\u00eb gruaje q\u00eb nuk ka mund\u00ebsi dhe q\u00eb p\u00ebr t\u00eb kuruar shpirtin e saj krijon nj\u00eb banjo me disa parfume lulesh dhe qirinjsh. Megjith\u00ebse duken kaq t\u00eb ndryshme k\u00ebto tre fusha, pamund\u00ebsia, mund\u00ebsia dhe pushteti, un\u00eb mendoj se k\u00ebto nuk jan\u00eb t\u00ebr\u00ebsisht t\u00eb ndara si\u00e7 i shikojn\u00eb filozof\u00ebt, q\u00eb nj\u00ebra fush\u00eb krijon mund\u00ebsi ose pamund\u00ebsi p\u00ebr tjetr\u00ebn, varet sesi p\u00ebrdoren. Un\u00eb k\u00ebtu kam nivele t\u00eb ndryshme portretesh, kam Edi Ram\u00ebn n\u00eb vitin 1997, ku e kam quajtur punimin \u201cI fundmi i ciklit t\u00eb Kreshnik\u00ebve\u201d, dhe pastaj e kam rreth viteve 2000 t\u00eb transformuar dhe e kam quajtur \u201cpower\u201d. Kam Fatos Lubonj\u00ebn, i cili \u00ebsht\u00eb n\u00eb konflikt jo vet\u00ebm me shoq\u00ebrin\u00eb, por mesa duket edhe me vetveten, sepse predikati i tij \u00ebsht\u00eb di\u00e7ka q\u00eb sforcon kufijt\u00eb, intelektual\u00eb edhe t\u00eb vet tij. Un\u00eb i kam ndjekur shum\u00eb nga bisedat e tij dhe prepozicionet q\u00eb i jep shoq\u00ebris\u00eb dhe k\u00ebtu e kam vendosur n\u00eb alter egon e nj\u00eb figure t\u00eb dyshimt\u00eb, ku n\u00eb nj\u00ebr\u00ebn \u00ebsht\u00eb njeriu i zakonsh\u00ebm dhe n\u00eb tjetr\u00ebn \u00ebsht\u00eb reflektuesi mediatik, i cili do t\u00eb zgjoj\u00eb interesin e shoq\u00ebris\u00eb<\/em>\u201d, u shpreh Ahmeti.<\/p>\n

Duke u ndalur n\u00eb emrin e ekspozit\u00ebs dhe n\u00eb iden\u00eb q\u00eb ajo p\u00ebrpiqet t\u00eb emetoj\u00eb, Ahmeti tha se potenca e njeriut p\u00ebrdoret p\u00ebr t\u00eb krijuar sistemin social dhe se rrjedhoj\u00eb e k\u00ebsaj potence \u00ebsht\u00eb iluzioni \u201cForma maksimale e k\u00ebtij iluzioni \u00ebsht\u00eb pushteti dhe mund\u00ebsia, e cila \u00ebsht\u00eb t\u00ebr\u00ebsisht nj\u00eb marr\u00ebveshje sociale, e ngre ose ul njeriun p\u00ebr vdekje. Drama e njeriut nuk \u00ebsht\u00eb dram\u00eb natyrore, \u00ebsht\u00eb dram\u00eb sociale<\/em>\u201d, theksoi piktorja.<\/p>\n

Nd\u00ebrsa poetja Rita Petro, e quajti autoren nj\u00eb avangard\u00eb t\u00eb poezis\u00eb shqipe, pasi shkroi poezin\u00eb moderne, para viteve \u201990, por edhe nj\u00eb piktore me stilin e saj tashm\u00eb t\u00eb form\u00ebsuar.<\/p>\n

\u201cMoza si natyr\u00eb, si karakter, si stil, \u00ebsht\u00eb nj\u00eb artiste q\u00eb shkruan dhe pikturon gjendje d\u00ebliri, pra delirante n\u00eb kuptimin m\u00eb t\u00eb bukur t\u00eb fjal\u00ebs dhe k\u00ebt\u00eb e kam kuptuar edhe te fjala e Moz\u00ebs, por e kam kuptuar edhe n\u00eb poezin\u00eb e saj. M\u00eb duket se \u00e7do gj\u00eb \u00ebsht\u00eb eterike, edhe sendet q\u00eb pikturon, edhe objektet, edhe nd\u00ebrtesat, edhe personazhet, duket sikur q\u00ebndrojn\u00eb n\u00eb aj\u00ebr. Pikturon pesha t\u00eb r\u00ebnda q\u00eb q\u00ebndrojn\u00eb n\u00eb aj\u00ebr, dhe ky mendoj se \u00ebsht\u00eb pjes\u00eb e stilit t\u00eb saj\u201d,<\/em>\u00a0p\u00ebrmbylli Petro.<\/p>\n

Ekspozita \u201cPotence\u201d e Mimoza Ahmetit do t\u00eb vazhdoj\u00eb t\u00eb q\u00ebndroj\u00eb e hapur p\u00ebr disa dit\u00eb n\u00eb hollin e Universitetit Europian t\u00eb Tiran\u00ebs.<\/p>","protected":false},"excerpt":{"rendered":"

Nga Edi Rama te Fatos Lubonja, dimensione t\u00eb reja konceptuale, p\u00ebrcjell\u00eb p\u00ebrmes telajos s\u00eb Mimoza Ahmetit Pushteti dhe mund\u00ebsia, dy fusha sa t\u00eb ve\u00e7uara, aq edhe t\u00eb nd\u00ebrvarura ndaj nj\u00ebra-tjetr\u00ebs. Aq sa q\u00ebndrojn\u00eb ndaras, aq edhe mund t\u00eb kuptohen mjaft … <\/p>","protected":false},"author":1,"featured_media":6861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61],"tags":[],"class_list":["post-6857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-te-ndryshme"],"yoast_head":"\n\u201cPotence\u201d sjell Mimoza Ahmetin me nj\u00eb ekspozit\u00eb pikturash n\u00eb UET - UET<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uet.edu.al\/en\/potence-sjell-mimoza-ahmetin-me-nje-ekspozite-pikturash-ne-uet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cPotence\u201d sjell Mimoza Ahmetin me nj\u00eb ekspozit\u00eb pikturash n\u00eb UET - UET\" \/>\n<meta property=\"og:description\" content=\"Nga Edi Rama te Fatos Lubonja, dimensione t\u00eb reja konceptuale, p\u00ebrcjell\u00eb p\u00ebrmes telajos s\u00eb Mimoza Ahmetit Pushteti dhe mund\u00ebsia, dy fusha sa t\u00eb ve\u00e7uara, aq edhe t\u00eb nd\u00ebrvarura ndaj nj\u00ebra-tjetr\u00ebs. 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