{"id":19442,"date":"2025-05-14T11:28:15","date_gmt":"2025-05-14T09:28:15","guid":{"rendered":"https:\/\/uet.edu.al\/?p=19442"},"modified":"2025-05-14T11:29:00","modified_gmt":"2025-05-14T09:29:00","slug":"leksion-i-hapur-me-studentet-e-arteve-skenike-per-eugene-oneill-babane-e-drames-moderne-amerikane","status":"publish","type":"post","link":"https:\/\/uet.edu.al\/en\/leksion-i-hapur-me-studentet-e-arteve-skenike-per-eugene-oneill-babane-e-drames-moderne-amerikane\/","title":{"rendered":"Leksion i Hapur me student\u00ebt e Arteve Skenike p\u00ebr Eugene O\u2019Neill, baban\u00eb e dram\u00ebs moderne amerikane"},"content":{"rendered":"

\u201cDua t\u00eb jem artist ose asgj\u00eb.\u201d<\/em><\/p>\n

Krijimtaria, Eugene O\u2019Neill dhe impakti q\u00eb pati n\u00eb dramaturgjin\u00eb amerikane e at\u00eb bot\u00ebrore ishin n\u00eb qend\u00ebr t\u00eb nj\u00eb Leksioni t\u00eb Hapur q\u00eb u zhvillua n\u00eb Universitetin Europian t\u00eb Tiran\u00ebs. N\u00eb nj\u00eb bashk\u00ebbisedim me profesorin Dritan Bori\u00e7i dhe student\u00ebt e Arteve Skenike t\u00eb UET, ishte prof. Miltiadh Kutali, pedagog dhe dekan i Arteve Skenike n\u00eb Universitetin e Arteve.<\/p>\n

Q\u00eb n\u00eb hyrje t\u00eb leksionit, pedagogu i UET Dritan Bori\u00e7i theksoi se ky leksion d\u00ebshmon p\u00ebr bashk\u00ebpunimin mes dy institucioneve, duke e cil\u00ebsuar Universitetin e Arteve si \u201cmaternitetin\u201d e madh t\u00eb aktor\u00ebve dhe regjisor\u00ebve. Nd\u00ebrkaq, prof. Kutali tha se ka nj\u00eb bashk\u00ebpunim t\u00eb hersh\u00ebm me UET, por q\u00eb prej marrjes s\u00eb detyr\u00ebs s\u00eb dekanit ka firmosur marr\u00ebveshje bashk\u00ebpunimi mes dy institucioneve. \u201cJemi dy institucione q\u00eb vihen n\u00eb sh\u00ebrbim t\u00eb gjenerat\u00ebs s\u00eb re q\u00eb aspiron n\u00eb art.\u201d Ai shtoi se n\u00ebse mungon afrimiteti e fryma e bashk\u00ebpunimit mes shkollave, at\u00ebher\u00eb nuk arrihet q\u00ebllimi final p\u00ebr p\u00ebrgatitjen e artist\u00ebve. \u201cNga p\u00ebrvoja mbi 35-vje\u00e7are si m\u00ebsimdh\u00ebn\u00ebs, dy gj\u00ebra m\u00eb kan\u00eb shoq\u00ebruar n\u00eb jet\u00eb, nuk di sa jap dhe sa fitoj nga student\u00ebt\u201d, rr\u00ebfeu ai.<\/p>\n

P\u00ebrmasat e figur\u00ebs s\u00eb Eugene O\u2019Neill (1888 \u2013 1953), u soll\u00ebn n\u00eb auditor q\u00eb student\u00ebt t\u00eb njiheshin me at\u00eb q\u00eb cil\u00ebsohet si babai i dramaturgjis\u00eb moderne amerikane, i pari dramaturg amerikan q\u00eb ka marr\u00eb \u00c7mimin Nobel n\u00eb 1936, i vler\u00ebsuar \u201cp\u00ebr fuqin\u00eb, ndershm\u00ebrin\u00eb dhe emocionet e thella t\u00eb veprave t\u00eb tij dramatike, t\u00eb cilat mish\u00ebrojn\u00eb nj\u00eb koncept origjinal t\u00eb tragjedis\u00eb\u201d. Po ashtu, ai ka fituar kat\u00ebr her\u00eb \u00c7mimin Pulitzer, \u00a0tre her\u00eb sa ishte gjall\u00eb me dramat: \u201cBeyond the Horizon\u201d (1920), \u201cAnna Christie\u201d (1921), “Strange Interlude” (1928). Pas vdekjes, n\u00eb\u00a0 1957 e fitoi s\u00ebrish me dram\u00ebn \u201cLong Day’s Journey Into Night\u201d.<\/p>\n

Duke e cil\u00ebsuar nj\u00eb nga dashurit\u00eb e tij, prof. Miltiadh Kutali tha se njohjen me dramaturgun me origjin\u00eb irlandeze e hasi gjat\u00eb studimeve n\u00eb akademi. Drama \u201cPeshkatari\u201d kishte ardhur n\u00eb shqip m\u00eb her\u00ebt dhe ishte punuar nga regjisorja Drita Agolli. \u201cUn\u00eb vendosa ta sjell pas ngacmimit t\u00eb profesorit t\u00eb \u201cTeorit\u00eb e dram\u00ebs\u201d, Kudret Vel\u00e7a.\u201d Iu fut k\u00ebrkimit dhe e gjeti n\u00eb bibliotek\u00ebn e Institutit t\u00eb Historis\u00eb dhe Gjuh\u00ebsis\u00eb, n\u00eb nj\u00eb revist\u00eb t\u00eb titulluar \u201cFrym\u00eb\u201d, p\u00ebrkthyer n\u00eb 1944 n\u00eb gegnisht nga v\u00ebllez\u00ebrit Arshi dhe Myzafer Pipa.<\/p>\n

N\u00eb 1998, kur ende arti ishte n\u00ebn ndikimin artit t\u00eb realizmit socialist, profesori tregoi se kishte kufizime dhe nd\u00ebrhyrje. I k\u00ebrkuan t\u00eb ndryshoj\u00eb pjes\u00ebn e tekstit duke dal\u00eb kund\u00ebr d\u00ebshir\u00ebs s\u00eb autorit, i cili nuk lejonte q\u00eb marinar\u00ebt t\u00eb merrnin drejtimin e anijes dhe t\u00eb ktheheshin n\u00eb tok\u00eb, duke triumfuar q\u00ebllimi i lart\u00eb i kapitenit p\u00ebr t\u00eb siguruar di\u00e7ka nga deri. \u201cPedagog\u00ebt e mi, Viktor Zhysti dhe Arben Imami m\u00eb mb\u00ebshtet\u00ebn p\u00ebr ta vijuar n\u00eb frym\u00ebn e autorit\u201d, tha Kutali.<\/p>\n

\"\"<\/p>\n

Po t\u00eb nj\u00ebjt\u00ebn penges\u00eb hasi n\u00eb 1990-\u00ebn, kur donte t\u00eb vendoste n\u00eb sken\u00eb dram\u00ebn \u201cAnna Christie\u201d, madje ia kishte d\u00ebrguar tekstin Robert Ndrenik\u00ebs dhe disa aktor\u00ebve t\u00eb tjer\u00eb. Vepra n\u00eb fillim ishte aprovuar unanimisht dhe pastaj ishte rr\u00ebzuar po unanimisht, duke mos lejuar ngjitjen e saj n\u00eb sken\u00eb. Kjo dram\u00eb u ndalua p\u00ebr shkak se trajtonte historin\u00eb e nj\u00eb vajze t\u00eb re, e cila bie n\u00eb dashuri me nj\u00eb marinar, dhe q\u00eb m\u00eb par\u00eb kishte punuar si prostitut\u00eb. Edhe pse Eugene O\u2019Neill e kishte shkruar 80 vite m\u00eb par\u00eb n\u00eb SHBA, p\u00ebr Shqip\u00ebrin\u00eb e 1990-\u00ebs ishte e papranueshme vendosja e nj\u00eb drame me nj\u00eb personazh t\u00eb till\u00eb.<\/p>\n

Duke pasur ndikim nga dramaturg\u00eb t\u00eb till\u00eb si Henrik Ibsen, August Strindberg apo Luigi Pirandello, Eugene O\u2019Neill neveritej nga shfaqjet melodramatike, me oratori t\u00eb tepruar, duke iu p\u00ebrgjigjur instinktivisht realizmit dhe teknikave eksperimentale. Pjes\u00eb t\u00eb subjekteve t\u00eb veprave kishte personazhe t\u00eb zakonsh\u00ebm, nga p\u00ebrditshm\u00ebria, duke tentuar k\u00ebshtu t\u2019iu ik\u00eb kornizave e t\u00eb ec\u00eb kund\u00ebr rrym\u00ebs. Jeta plot\u00eb sfida e tij, nga djali i nj\u00eb aktori t\u00eb famsh\u00ebm dhe student i p\u00ebrz\u00ebn\u00eb nga Universiteti Prienceton, ai punoi si detar, k\u00ebrkues n\u00eb Honduras dhe madje kaloi koh\u00eb si endacak.<\/p>\n

K\u00ebto p\u00ebrvoja e ekspozuan ndaj an\u00ebs s\u00eb err\u00ebt t\u00eb jet\u00ebs dhe i siguruan material t\u00eb pasur p\u00ebr veprat e tij t\u00eb m\u00ebvonshme. Ekspozimi i O’Neill ndaj v\u00ebshtir\u00ebsive t\u00eb njeriut t\u00eb zakonsh\u00ebm u b\u00eb nj\u00eb tem\u00eb qendrore n\u00eb dramat e tij. P\u00ebrve\u00e7se luftoi me alkoolizmin dhe depresionin, n\u00eb 1912-\u00ebn dramaturgu u diagnosftikua me turbekuloz. Pik\u00ebrisht gjat\u00eb faz\u00ebs s\u00eb rikuperimit ai mendoi seriozisht zhvillimin e karrier\u00ebs n\u00eb let\u00ebrsi duke u zhytur n\u00eb lexime dhe shkrime. Eksplorimi i tij i temave universale si dashuria, humbja dhe k\u00ebrkimi i kuptimit siguron q\u00eb vepra e tij t\u00eb mbetet e r\u00ebnd\u00ebsishme p\u00ebr brezat e rinj.<\/p>\n

\u201cO\u2019Neill gjith\u00eb jet\u00ebn e p\u00ebr\u00e7oi n\u00eb veprat e tij dhe diti ta \u00e7oj\u00eb bukur. E p\u00ebrdorte narracionin, por nga ana tjet\u00ebr dinte t\u00eb deduktonte filozofi shum\u00eb t\u00eb fuqishme q\u00eb i b\u00ebn\u00eb nder koh\u00ebs, e padyshim solli vlera t\u00eb jasht\u00ebzakonshme n\u00eb ndryshimin e drejtimit t\u00eb teatrit amerikan\u201d, n\u00ebnvizoi prof. Kutali.<\/p>\n

\"\"<\/p>\n

Duke folur p\u00ebr narracionin n\u00eb vepr\u00ebn e dramaturgut amerikan, Bori\u00e7i tha se ai ka qen\u00eb \u2018diktator\u2019 p\u00ebr vepr\u00ebn e tij dhe nuk lejonte regjisor\u00ebt t\u00eb ndryshonin apo t\u00eb tejkalonin tekstet e tij. Madje edhe kur i k\u00ebrkuan q\u00eb t\u00eb hiqte 45 minuta, p\u00ebrfundoi duke hequr 2 minuta. \u201cSot kan\u00eb filluar tendencat q\u00eb veprat e O\u2019Neill t\u00eb mos i lidhin me autobiografin\u00eb e tij, duke p\u00ebrcjell\u00eb iden\u00eb se vepra ka jet\u00ebn e vet p\u00ebrtej autorit. Kjo \u00ebsht\u00eb gj\u00ebja m\u00eb e madhe q\u00eb po ndodh sot n\u00eb teatrin bot\u00ebror, ku roli i regjisorit \u00ebsht\u00eb i jasht\u00ebzakonsh\u00ebm.\u201d<\/p>\n

P\u00ebr p\u00ebrgjegj\u00ebsin e Departamentit t\u00eb Arteve t\u00eb Aplikuara n\u00eb UET, dr. Ermir Nika, dramaturgu amerikan ka qen\u00eb inspirimi jo vet\u00ebm p\u00ebr Ernest Hemigueji por edhe p\u00ebr Ismail Kadaren\u00eb. “\u00cbsht\u00eb nj\u00eb gjenerat\u00eb q\u00eb erdhi n\u00eb sken\u00ebn bot\u00ebrore n\u00eb koh\u00ebn kur njer\u00ebzimi ishte n\u00eb dilem\u00ebn se jan\u00eb th\u00ebn\u00eb t\u00eb gjitha, \u00e7far\u00eb do t\u00eb thuhet m\u00eb pas. Dhe k\u00ebta soll\u00ebn nj\u00eb mesazh t\u00eb madh, me daljen e Kafk\u00ebs, O\u2019Neill, Orwell, me Pirandelon.\u201d<\/p>\n

N\u00eb fund, prof. Kurtali iu k\u00ebrkoi student\u00ebve t\u00eb guxojn\u00eb, t\u00eb mos q\u00ebndrojn\u00eb brenda asaj q\u00eb k\u00ebrkon pedagogu, duke besuar te kredoja e tyre. \u201cK\u00ebt\u00eb ia njoh si merit\u00eb vetes: Gjithmon\u00eb jam p\u00ebrpjekur t\u00eb b\u00ebj at\u00eb q\u00eb duan t\u00eb b\u00ebjn\u00eb student\u00ebt, jo at\u00eb q\u00eb d\u00ebshiroj un\u00eb. Kjo \u00ebsht\u00eb shprehja e v\u00ebrtet\u00eb e individualiteti dhe origjinalitetit t\u00eb tyre, drejt nj\u00eb akti kreacioni q\u00eb nuk e percepton askush tjet\u00ebr si\u00e7 e b\u00ebn secili prej tyre.\u201d<\/p>","protected":false},"excerpt":{"rendered":"

\u201cDua t\u00eb jem artist ose asgj\u00eb.\u201d Krijimtaria, Eugene O\u2019Neill dhe impakti q\u00eb pati n\u00eb dramaturgjin\u00eb amerikane e at\u00eb bot\u00ebrore ishin n\u00eb qend\u00ebr t\u00eb nj\u00eb Leksioni t\u00eb Hapur q\u00eb u zhvillua n\u00eb Universitetin Europian t\u00eb Tiran\u00ebs. N\u00eb nj\u00eb bashk\u00ebbisedim me profesorin … <\/p>","protected":false},"author":9,"featured_media":19445,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59,61],"tags":[],"class_list":["post-19442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-activities","category-te-ndryshme"],"yoast_head":"\nLeksion i Hapur me student\u00ebt e Arteve Skenike p\u00ebr Eugene O\u2019Neill, baban\u00eb e dram\u00ebs moderne amerikane - UET<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uet.edu.al\/en\/leksion-i-hapur-me-studentet-e-arteve-skenike-per-eugene-oneill-babane-e-drames-moderne-amerikane\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Leksion i Hapur me student\u00ebt e Arteve Skenike p\u00ebr Eugene O\u2019Neill, baban\u00eb e dram\u00ebs moderne amerikane - UET\" \/>\n<meta property=\"og:description\" content=\"\u201cDua t\u00eb jem artist ose asgj\u00eb.\u201d Krijimtaria, Eugene O\u2019Neill dhe impakti q\u00eb pati n\u00eb dramaturgjin\u00eb amerikane e at\u00eb bot\u00ebrore ishin n\u00eb qend\u00ebr t\u00eb nj\u00eb Leksioni t\u00eb Hapur q\u00eb u zhvillua n\u00eb Universitetin Europian t\u00eb Tiran\u00ebs. 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